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When do we blow the stadium?

This evening at six.

And the flight out of here?

All arranged.

And then what?

Then I visit The Pale King.

A toast, my friend.

To Death!

Bottoms up.

Meet me in the square!

I've been here before

But always hit the floor

I've spent a lifetime running

And I always get away

But with you

I'm feeling something

That makes me want to stay

If I risk it all

Could you break my fall?

How do I live?

How do I breathe?

When you're not here

I'm suffocating

I want to feel love

run through my blood

Tell me is this

where I give it all up?

For you I have to risk it all

'Cause the writing's on the wall

A millionshards of glass

That haunt me from my past

As the starsbegin to gather

And the lightbegins to fade

When all hope begins to shatter

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Know that I won't be afraid

If I risk it all

Could you break my fall?

How do I live?

How do I breathe?

When you're not here

I'm suffocating

I want to feel love

run through my blood

Tell me is this

where I give it all up?

For you I have to risk it all

'Cause the writing's on the wall

The writing's on the wall

How do I live?

How do I breathe?

When you're not here

I'm suffocating

I want to feel love

run through my blood

Tell me is this

where I give it all up?

For you I have to risk it all

'Cause the writing's on

The wall

Start anywhere you like.

Take your time, 007,

but in five minutes

the head of

the JointSecurity Service

is going to walk

through that door,

and I've got to explain to him

how one of our agentsdecided to

potter off to Mexico, all on his own,

and cause

an international incident.

With all due respect, sir,

it could've been worse.

Worse? You blew up

half a bloody block.

Well, better half a block than

a wholestadium full of people.

You had no authority.

None.

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As you know,

we're in the middle of the biggest shakeup

in the history of

British intelligence.

The ink's barely dry

on this merger with MI5

and already they're itching

for a chance to scrap

the double-0 program forever.

And you've just given them one.

You're right, sir.

You have got a tricky day ahead.

This is an official question.

Mexico City.

What were you doing there?

It was just a coincidence.

I was taking some overdue holiday.

Okay. Fine.

As of this morning,

you are officially grounded.

I'm standing you down from

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all operations indefinitely.

Very good, sir.

007?

Sir?

I don't know what

you're playing at,

but whatever it is,

it has to stop.

Now.

So sorry. Am I interrupting?

Not remotely.

007, I'd like you

to meet Max Denbigh,

head of the Joint

Security Service.

It's a pleasure to finally meet you, 007.

I've heard a lot about you.

Most of it good.

Congratulations

on your new appointment.

Thank you.

I suppose we should

call you C now.

No, no. 'Max,' please.

No, I think I'll call you C,

C.

As you wish.

Well, my door is always open,

007, for my employees.

This merger's gonna be

a whole new chapter for us.

We're going to bring British

intelligence out of the Dark Ages

into the light.

That all sounds lovely.

That'll be all, 007. Report to Q

tomorrow for medical, thank you.

Very good, sir.

James?

Moneypenny.

So? How was

the meeting?

Very good, thank you.

Here.

Forensics finallyreleased this.

What is it?

It's personal effects

they recovered from Skyfall.

Perfect. You can

bring it to me later.

What do you mean?

My place, 9:
00.

Evening.

Come in.

EXT. RESTAURANTPARKING LOT, LAS VEGAS, 1983 - DAY

SAM 'ACE' ROTHSTEIN, a tall, lean, immaculatelydressed man

approaches his car, opens the door, and gets inside to turn

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on the ignition.

ACE (V.O.)

When you love someone, you've gotta

trust them. There's no other way.

You've got to give them the key to

everything that's yours. Otherwise,

what's the point? And, for a while...

I believed that's the kind of love I

had.

Suddenly, the car explodes. Flames, smoke and metal rise

into the sky covering the view of the Las Vegascasinos and

their signs.

Music in:
J.S. Bach - 'St Matthew Passion'.

Ace's body comesflying in - extreme slow motion. His body

twists and turnsthrough the frame like a soul about to tumble

into the flames of damnation.

MAIN TITLE SEQUENCE.

INT. TANGIERSCASINOFLOOR - NIGHT

Vignette of ACEthroughrippling flames, we move in on ACE

ROTHSTEIN overseeing the casino. He lights a cigarette.

ACE (V.O.)

Before I ever ran a casino or got

myself blown up, Ace Rothstein was a

hell of a handicapper, I can tell

you that. I was so good, that whenever

I bet, I couldchange the odds for

every bookmaker in the country. I'm

serious. I had it down so cold that

I was givenparadise on earth. I was

given one of the biggestcasinos in

Las Vegas to run, the Tangiers...

INT. SANMARINOITALIAN GROCERY/BACK ROOM, KANSASCITY -

NIGHT:

Vignette of MOBBOSSESsitting at a tablesurrounded by food

and wine like the gods of Olympus.

ACE (V.O.)

...by the only kind of guys that can

actually get you that kind of money:

sixty-two million, seven-hundred

thousand dollars. I don't know all

the details.

NICKY (V.O.)

Matter of fact...

INT. BAR, LASVEGAS - NIGHT

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Vignette of NICKYSANTOROstanding at a bar with DOMINICK

SANTORO, his brother, and FRANK MARINO, his right-hand man.

NICKY (V.O.)

...nobody knew all the details, but

it should'a been perfect. I mean, he

had me, Nicky Santoro, his best

friend, watching his ass...

INT. NIGHTCLUB - NIGHT

Vignette of GINGERMCKENNA a dazzling thirty-one-year-old

blonde seated by a smallfiery pool.

NICKY (V.O.)

...and he had Ginger, the woman he

loved, on his arm. But in the end...

INT. TANGIERS SPORTSBOOK/ACE'S OFFICE - NIGHT

ACE looks over the casino he rules.

NICKY (V.O.)

...we fucked it all up. It should'a

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been so sweet, too. But it turned

out to be the last time that street

guys like us were ever given anything

that fuckin' valuable again.

EXT. LASVEGAS - NIGHT

Aerial shot coming down out of the clouds over the brightly

lit VegasStrip and off into the blackness of the desert

night.

ACE (V.O.)

At that time, Vegas was a place where

millions of suckers flew in every

year on their own nickel, and left

behind about a billion dollars. But

at night, you couldn't see the desert

that surrounds Las Vegas...

EXT. DESERT - DAWN

Aerial shot swoopingalong the desert floor, then rising

above the mist to revealmountains in the distance.

ACE (V.O.)

But it's in the desertwhere lots of

the town's problems are solved.